Archives of American Art

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Eliot Elisofon Photographic Archives, National Museum of African Art

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Peale Family Papers, National Portrait Gallery

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Affiliated Organization: National Gallery of Art

Eliot Elisofon Photographic Archives, National Museum of African Art

Nana Akyanfuo Akowuah Dateh II

Asante paramount chief Nana Akyanfuo Akowuah Dateh II, in Kumasi, Ghana. Photograph by Eliot Elisofon, 1970.

Eliot Elisofon Photographic Archives
National Museum of African Art
950 Independence Ave, SW
Room 2140
Washington, DC 20560

Mailing Address:
Eliot Elisofon Photographic Archives
P.O. Box 37012
NMAfA, MRC 708
Washington, DC 20013-7012

202.633.4690
202.357.4879

www.si.edu/nmafa/resource/
archives.htm

Hours
Monday – Friday
10am to 4pm
Appointment Required

Metro Stop: Smithsonian

 

 

 

The Eliot Elisofon Photographic Archives at the National Museum of African Art is a research and reference center for visual materials, and is devoted to the collection, preservation, and dissemination of visual resources that encourage and support the study of the arts, peoples, and history of Africa. Archives staff conducts picture research in the fields of African art and cultural history and research on the history of photography in Africa. In addition, the staff works with art historians, photographers, anthropologists, filmmakers, and other interested specialists in the acquisition and preservation of visual resources.

Highlights: The major collection was created by Eliot Elisofon, an internationally known photographer and filmmaker. Upon his death in 1973, Mr. Elisofon bequeathed the museum his African materials, which comprised more than 50,000 black-and-white photographs, 30,000 color transparencies, and over 120,000 feet of unedited film. The bequest became the foundation of the Eliot Elisofon Photographic Archives.

Since 1973, the Archives' holdings have grown to include more than 180,000 color transparencies and 80,000 black-and-white photographs. In recent years, rare historical collections of original glass negatives, lantern slides, stereographs, and postcards have been acquired, which date from the 1870s to the 1940s.

The holdings are divided into two major categories: art photographs, which show African works of art in museum and gallery settings, and field photographs, which depict life and ar t in Africa. The art portion of the holdings consists mainly of photographs of objects in the permanent collection of the National Museum of African Art. The field section comprises more than one hundred collections, most of which reflect the work of particular photographers. Many of the images were taken by well-known art historians or anthropologists, missionaries, and travelers to Africa.